Month: April 2018

Viggo Mortensen in Captain Fantastic (2016)

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*some minor spoilers at end

It always baffles me that Viggo Mortensen has only received 2 Oscar nominations throughout his entire career. I have always thought he was a real talent who deserved deserved more recognition for his work in films like The Road and A History of Violence. I guess a large part of it stems from the fact that Mortensen has always been pretty low-key, and never really bothered in playing the game as some of his counterparts do. Still, I’m glad that he received his second nomination for his role in Captain Fantastic, cause oh boy, this is a fantastic performance.

And what a fantastic movie as well. I’m truly surprised that Captain Fantasic didn’t receive more recognition, cause it’s probably one of my favourite films of 2016. It is beautifully shot, well-written, and I daresay well-acted overall. I daresay I might like it more than La La Land even, which is saying something. It could have been easily a really pretentious and annoying film, but I thought it was well-grounded and believable.

In Captain Fantastic, Mortensen plays Ben, a father of 6 who raises his family in the forests of the pacific northwest. Right from the start, Mortensen captures your attention in a ritualistic moment where he declares his eldest son “a man” for successfully hunting and killing a deer. I think what makes Mortensen’s performance work is how natural he always is, despite the eccentric nature of the character. You believe that this man truly buys the bullshit he is selling to his kid – that most of corporate America is fascist, that you have to defend yourself and no one will or should be there for you, and all the philosophical theories that he drills into his children.

I think what Mortensen truly excels in here is the way he shows how Ben begins to doubt himself and his method of raising his children over the course of the film. Sometimes, he manages to do so merely through his eyes, which to me is an amazing feat in subtle acting. He also excellently portrays Ben’s increasing helplessness as his children begin to challenge his ideologies and methods.

I like how Mortensen is never afraid to make Ben an unlikeable character. Like I said, you can truly sense the conviction he has in his beliefs, and it is easy to understand why he is generally disliked by his family. His final realisation at the danger he poses towards his children is also truly heartbreaking. He manages to effectively portray the guilt he has, as well as his devastation when he decides to give up custody of his children.

Another aspect of his performance is his chemistry with his 6 children. Although his unorthodox methods can be considered child abuse, I never doubted his love for them. This, to me, adds another layer of complexity to his performance.

Overall, I think Mortensen succeeded in making his portrayal of a difficult and eccentric character seem easy. There is not one false note in his performance, and the overall transformation of his character is believable and never forced. His strong screen presence really helps too, and he becomes a strong anchor to an already strong film. 5/5.

p.s. a little busy these days, so I’m keeping these posts short and sweet, but I’ll try to write more frequently.

Saoirse Ronan in Lady Bird (2017)

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I’m still all about Saoirse Ronan being my personal pick for her absolutely beautiful performance in Brooklyn, and that kinda made me root for her winning this year despite the fact that I haven’t even watched her film. I’m not going to say that I am a huge fan of hers, but at the same time, there’s no denying that she’s a luminous talent who can elevate her films, even in small parts in films like The Grand Budapest Hotel.

Which makes me feel a little sore about that fact that I found Lady Bird slightly disappointing. Frankly, I couldn’t really get into this film and I found it rather sluggish despite the short screen time. Its strengths, however, lies in the way it captures the complicated relationship between Lady Bird (Saoirse Ronan) and her mom Marion (played beautifully by Laurie Metcalf). The scenes with Kyle (Timothée Chalamet), however, were the weakest imo. I get that they are trying to portray the pretentious, “bad-ass wannabe” phase that all teenagers go through, but I’m not going to lie, I found those scenes really boring. I know there were only a few of them, and yet I felt 1 scene alone would have been enough to capture the true nature of that relationship. There were a lot of scenes I really liked; the scenes with her father, and her best friend were truly terrific, but as a whole the movie doesn’t really stay with me.

Having said all that, Ronan’s performance as Lady Bird is excellent. To be honest, I can’t find anything wrong about her performance, and to her credit, I am actually amazed at how she manages to make Lady Bird interesting to watch although she’s frankly a rather annoying character. Her luminous presence works wonders again, and I just cannot take my eyes off her, even during the scenes where she’s unbelievably rude to her mother. She captures the character’s growing up arc perfectly too, from her naive pretentiousness to her realisation about what truly matters in life.

It’s a coming of age story that has been explored many times, but to Ronan’s credit, she never makes it cliche or stereotypical. I think her attention to detail as a performer is what makes this performance work; she captures the conflict between hating and loving her mom, and that’s what makes their scenes so dynamic and moving. Actually, every interaction in this movie is well explored by Ronan, even her brief relationships with the pretentious Kyle and the shallow Jenna. She uses them to build up Lady Bird’s growth as a character, and I think that’s what works terrifically.

As a whole, there isn’t a false note in this performance, which is something I really appreciated. It could have been such a stereotypical performance with eye-rolling moments, but I think Ronan grounds it and plays it with total truth. The problem, which probably in part lies with me, is that this performance just doesn’t get me totally excited. Like, I have nothing against it, and I truly respect it, but I’m not going to lie when I say that I don’t think it is going to stay with me for too long. A large part of it has got to do with the the writing and the film though – it’s a character that I’ve seen too many times, and the film isn’t one I’m crazy about. Still, I do wholeheartedly support her Golden Globe win, as I think it is truly deserved. It is also an extremely deserved Oscar nomination, but I won’t go beyond that. 4/5, though leaning towards 4.5.

Film – 3/5

Laurie Metcalf – 4.5/5