Nicole Kidman in The Hours (2002)

Nicole Kidman won her only Oscar to date for playing Virginia Woolf in The Hours. Watching this movie again reminded me of how much I love her as an actress – it has been a while since I’ve seen a film of hers, and I guess I should get about to watching Lion.

I will always defend The Hours, even though this time round its flaws are definitely more apparent. The dialogue can be rather stilted at times, especially in Meryl Streep’s portion,which is probably the weakest part of the entire film. Yet despite its problems, it has always been one of my favourite films because of how deeply I connect to its emotional core. The score is absolutely amazing, and the performances are incredible, especially Julianne Moore (I might write a separate post on her performance). As someone who has been through dark periods in my life, I am amazed at how much the movie actually calls out to me at times.

Some people consider Nicole Kidman’s Oscar win category fraud because of how limited her screentime is. However, I’ve always considered her the true lead of the film because of the strong presence she has. It could be a directing effect, but I believe that Kidman adds layers of mystery and complexity to Virginia Woolf, making her influence over the other 2 characters strongly felt.

I couldn’t disagree more about the comments about her being one-note, which is admittedly also an initial reaction I had to her performance. While Virginia Woolf is clearly depressed throughout the film, I find that Kidman makes her a strangely charismatic and compelling character. Listening to her narrate Mrs Dalloway, or just performing simple actions like rolling her own cigarette somehow makes me all the more fascinated in Woolf. I like that Kidman doesn’t choose the mimicry route in this performance, but instead creates an inner life force for Woolf. Although she can be seen as “stale” and “boring” on the surface, there is a very intense energy radiating from her.

Naturally, the depression aspect is the strongest component of her performance. I like how she builds it up gradually, starting with her nervousness and insecurities around her servants, to her breakdown at the train station. Navigating through some tricky and stilted dialogue, Kidman amazingly manages to convey Woolf’s confusion over her own depression, as well as her desperation to be free from something she isn’t even aware of. I know that scene is often regarded as her “Oscar moment”, however I thought her parting kiss to her sister was an equally amazing moment. I could feel the desperate cry for help through that one kiss, and while I’m not someone who’s crazy about crying scenes, those tears had a profoundly heartbreaking effect.

I know some people have said that Cate Blanchett or Tilda Swinton would have done a better job –  yes, I believe that there’s some truth to this on a technical front. I know it is not a perfect performance technically – the mumbling can grate on people’s nerves (not mine), and some actions may come off as calculated and unnatural. But having said all that, I strongly believe that Kidman brought something unique to the part herself, something that can’t be emulated by other actresses. A hated and in my opinion, unfairly maligned win, but you know what? I love it. I love how carefully and sensitively Kidman treated the subject matter. 5/5.

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One comment

  1. Nicole’s performance will always be the one I’m low-key judgmental towards because it beat out Renée in Chicago, which I loved loved loved to bits when I first saw as a little kid.

    In any case – I’m of the party that thinks her role could have been thrusted into Supporting and it’d have been just fine. Ultimately, while Nicole is strong, MVP status goes to Moore for me.

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