Caey Affleck won the Bafta, Golden Globe and a bunch of other awards for his performance as Lee Chandler, a grieving man in Kenneth Lonergan’s Manchester by the Sea. I honestly have no idea who’s winning best actor this coming Sunday, but if I were to make a guess, I would give Denzel Washington the edge over Affleck.
I am indifferent towards Manchester by the Sea. I find the film pretty manipulative, despite its attempts to be a heavy, “realistic” drama. The tone shifts between realistic and quirky, especially Lucas Hedges’ scenes. I think the film’s atmosphere is pretty good, but I’m just not buying some parts, especially Lee’s backstory. Not that it’s totally unbelievable, I just felt as if Lonergan was trying to ramp up the tragic aspect so much that it becomes a bit contrived.
Affleck plays Lee Chandler, the depressed, grieving janitor who takes in his nephew Patrick (Lucas Hedges) following his brother’s death. One thing that surprised me was how quiet Affleck’s performance is, which made me wonder what drew the awards’ attention to it. Other than a few bar fights and a particularly well-acted suicide scene, the performance is actually really non-flashy.
Like the movie, I really don’t know what to feel about this performance either. I love quiet performances, and I certainly appreciate the Academy for recognising it, but this felt a bit…I don’t know, one-note to me? I get that Lee is grieving, I get that Lee isn’t much of a talker, I get that he is haunted by his past…but that’s honestly all I got out of it. There’s also his relationship development with Patrick, which I find to be the strongest part of the performance as we get to see a development from his initial frustration at being Pat’s guardian.
I suppose it is a performance that needs to be appreciated over time, but there is another problem, which is that I didn’t feel really compelled to watch the movie again. And it was at this point where I realised how little I cared about Lee and his troubles. I will give Affleck the credit of having a strong presence and actually carrying the movie. I just didn’t think it was as powerful a portrayal of grief as people said. Yes, grief can be portrayed in a quiet and powerful manner but it just felt flat to me here (Refer to Sissy Spacek for In the Bedroom) 3/5.